Canon Speedlite 430EX II Flash for Canon Digital SLR Cameras

!#8# Canon Speedlite 430EX II Flash for Canon Digital SLR Cameras

www.amazon.com Bringing a new level of versatility and capability to flash photography, the Speedlite 430EX II features a powerful flash (guide number of 141 ft./43m at ISO 100) with a fast recycling time in a compact, durable body. A one-touch quick-lock mechanism makes it easy to attach or detach the 430EX II from the camera and a metal foot has been added for strength and durability. Flash controls can now be set through the camera's LCD screen on compatible EOS Digital SLR cameras. The Speedlite 430EX II is also quieter, recycle time is 20 percent faster (as compared to the 430EX) and since it is compatible with Canon's wireless E-TTL, it can be used as an affordable "slave unit." www.amazon.com

Canon Speedlite 430EX II Flash for Canon Digital SLR Cameras

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!±8± Canon EOS 40D Masterclass in base Speedlite ambience (8/9)

David Newton, CPNs Technical Editor, explains the benefits of Canons latest camera aimed at the advanced amateur market.

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Canon Speedlite 430EX II Flash with Softbox + Bounce Diffuser + (4) Batteries & Charger + Tripod + Accesory Kit for EOS 7D, 5D, 60D, 50D, Rebel T3, T3i, T2i, T1i, XS Digital SLR Cameras

!±8± Canon Speedlite 430EX II Flash with Softbox + Bounce Diffuser + (4) Batteries & Charger + Tripod + Accesory Kit for EOS 7D, 5D, 60D, 50D, Rebel T3, T3i, T2i, T1i, XS Digital SLR Cameras

Rate : | Price : | Post Date : Nov 19, 2011 04:00:41
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Kit includes:
♦ 1) Canon Speedlite 430EX II Flash
♦ 2) Zeikos Universal Soft Box Flash Diffuser
♦ 3) Zeikos Universal Flash Diffuser Bouncer with Interchangeable White/Gold/Silver Inserts
♦ 4) Precision Design PD-57TR Photo/Video 57" Tripod with Case
♦ 5) Precision Design (4) 2900mAh AA NiMH Batteries & 110/220V Multi-Voltage Rapid Charger
♦ 6) Precision Design 6-Piece Camera & Lens Cleaning Kit
♦ 7) Precision Design Spudz Microfiber Cleaning Cloth (with Clip & Case)

The Canon Speedlite 430EX II features a powerful flash (guide number of 141 ft./43m at ISO 100) with a fast recycling time in a compact, durable body. A one-touch quick-lock mechanism makes it easy to attach or detach the 430EX II from the camera and a metal foot has been added for strength and durability. The Speedlite 430EX II is also quieter, recycle time is 20% faster (as compared to the 430EX) and since it is compatible with Canon's wireless E-TTL, it can be used as an affordable "slave unit".

The Zeikos Universal Soft Box Flash Diffuser enlarges and redirects the light from the flash and then further softens the light by passing it through a frosted diffuser. Attaches to your flash in seconds.

The Zeikos ZE-SD26 Universal Flash Diffuser Bouncer features 3 interchangeable inserts for the perfect light output and color balance. It enlarges and diffuses the light, and helps to eliminate red-eye. It comes with white, silver and gold inserts, as well as a removable frosted diffusion screen.

Avoid camera shake by setting your camera on this sturdy, lightweight 57-inch tripod.

Provide your camera with plenty of power with 4 AA ultra-high capacity 2900mAh(NiMH) batteries and a multi-voltage rapid charger.

This 6-piece cleaning kit contains a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.

• Canon EF 50mm f/1.8 II Camera Lens

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Canon Speedlite 430EX II Flash + Accessory Kit

!±8± Canon Speedlite 430EX II Flash + Accessory Kit

Brand : Canon | Rate : | Price : $299.95
Post Date : Oct 31, 2011 18:38:06 | Usually ships in 1-2 business days

Canon Speedlite 430EX II Flash + Accessory Kit

Bringing a new level of versatility and capability to flash photography, the Speedlite 430EX II features a powerful flash (guide number of 141 ft./43m at ISO 100) with a fast recycling time in a compact, durable body. A one-touch quick-lock mechanism makes it easy to attach or detach the 430EX II from the camera and a metal foot has been added for strength and durability. Flash controls can now be set through the camera's LCD screen on compatible EOS Digital SLR cameras. The Speedlite 430EX II is also quieter, recycle time is 20 percent faster (as compared to the 430EX) and since it is compatible with Canon's wireless E-TTL, it can be used as an affordable "slave unit."
++PLUS++ Accessory Kit: Superior Quality Flash Bouncer Diffuser, Creates a Diffused Bare Bulb Effect. Gives coverage a cross the entire Frame. - Rapid AC/DC Charger with 4 AA 2700 mAh rechargeable batteries - 8 Slot Battery Holder Case.

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Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

!±8± Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

This is the first in a series of profiles of photographers from various parts of the imaging spectrum. In the future we will shine the light on news photographers, commercial photographers, nature photographers and so on in order to give you the digital photographer some valuable insights to help make your images better.

Geraldine Allen is our first subject artist in the spot light. Initially trained in art history and graphic design in the UK; Geraldine gained valuable experience in aesthetics and design principles. Later in life she undertook study of Psychology and graduated with a Bachelor of Science Honors degree. However, Geraldine's long time interest and passion for photography drew her back. Enthused by the possibilities brought about by Adobe Photoshop in its early days of development, she was soon absorbed by experimenting with digitized photographic collages. It was then she decided to return to Salisbury College in the UK to formalize her experience and update her knowledge of the visual media industry.

Geraldine studied Creative Digital Arts to familiarize herself with industry standard multimedia software, and wishing to focus on still imaging, then chose to complete her BA (Honors) in PhotoMedia (Photography). Whilst computer manipulation was becoming increasingly popular, she chose to experiment [and now favors] "in camera" effects.

When did your "aha" moment arrive; the time when you knew that your affinity for photography could take you further regarding your creative and professional career? "I took a candid shot of my teenage son one day when I just happened to be at an elevated height; the combination of height, the long lens, and the way I had composed his posture in the frame brought an interesting result and I thought then that there are so many variables and I would never get bored if I did this for a living. I had always enjoyed photography but I didn't really learn much until digital came along. All of a sudden I learned so fast because the results were instant and I could relate which mistakes were associated with which controls."

Do you prefer total control over your photographic subjects or do you sometimes shoot natural non-studio images? "I don't have a preference. I am so passionate about photography and there are so many different aspects that I find it impossible to hold favoritism. I have to separate photography into genres and I take a different approach according to that genre. For example, creative photos are pre-conceived in the mind of the photographer/artist, so it does require the subject to be set up and controlled - to a degree. Although studio controlled images dominate my light painted portfolio, I often leave people as subjects to position themselves. The picture aims to portray a little essence of their natural character. I do help them with ideas if they are stuck though, usually by distracting them with conversation and saying "hold it there" when I think a particular posture, expression or mannerism would work well for the picture.

For nature pictures I rarely control anything except perhaps using a little fill flash or a reflector in conjunction with the available light. I make a conscious effort not to interfere with a natural scene as I wish to document it as real and naturally as possible. Having said that I must confess I can't help moving obtrusive litter, sticks or stones from the frame."

Have you ever had a mentor who had an impact on your style and art? "I received an awful lot of support from a wonderful tutor called Ian Smith at Salisbury College in the UK. Whilst I was given endless encouragement to experiment in whichever way I liked, I was also taught to question everything and to give that experimentation some decisive direction. I was to ask myself what my pictures were trying to communicate, and to plan them with specific intention and aims. In the final year at Salisbury College I reached the dreaded stage where I was forced to choose one field of specialization. God forbid, how was I to make a single choice when I loved all and sundry from traditional to completely abstract and contemporary? I remember actually struggling to hold back tears when it came to the point of my having to drop some genres. I was a cop-out really because I chose to stick with two fields instead of one; fine art and nature, and then I used a unifying concept to put them both in my final portfolio!

I was also privileged enough to work with landscape photographer Charlie Waite in his studio for some months. Although practicalities of work and business dominated our concerns, I observed his attitudes toward his projects and indeed within his natural day-to-day practicalities. If I had to choose one primary point that I will always remember, it would be how he would look at the sky and all around whenever he stepped outdoors. He would immediately and instinctively study the light and how it fell upon subjects in his immediate surroundings, no matter where he was or what he was doing. You could say he was obsessed with light! So, he taught me the most valuable lesson of all; to study the natural laws of light, how it naturally affected the world around and how different it looked according to the various conditions."

Your best advice for budding digital photographers? "Experiment, and then experiment some more! Make full use of manual controls instead of sticking with the safe Auto mode. Don't just refer to the manual when you are stuck on how to operate a basic control, but read it all from front to back and then test out each and every advanced control. That way you get to know your camera thoroughly, and you may happen upon some interesting effects. Try different levels of fill flash, use the white balance, and test the effects of speed/aperture on depth of field. Oh, and look at possible uses for any mistakes! I have been known to use prior unintentional mistakes, as deliberate controlled effects at a later date."

What kind of digital camera gear do you favor? "Predominantly, I am a digital SLR user of the Canon variety. I just like the look, the feel and the performance of Canon. A Canon feels right in my hand so what more can I say?

Currently I am shooting with a Canon D60, which I was very happy to own when they were first released. Unfortunately 6 months down the line the 10D was released with a substantial drop in price to boot. Now of course there is the 20D too! Such are the agonies of being a die-hard techie fiend. I use only fixed focal length lenses, having found the 'ever-practical' zoom to let me down with zoom creep on long exposures."

Currently Geraldine is using four lenses: a 15mm f/2.8 fisheye, a 35mm f/2, a 100m f/2.8 Macro, and a 200mm f/2.8 L - all Canon EF. Of course using these lenses on a DSLR mean the focal length is longer than using on a film SLR due to the size of the sensor, which is why the fisheye is not truly 'fisheye' but just very wide, and the 35mm is used as the standard workhorse lens - the equivalent of a 50mm. Shooting an awful lot of nature pictures, her 100mm macro lens has proved a wise investment, allowing her to gain that extra close distance both for macro work and longer distance shots.

Geraldine says "I have never had much desire to shoot very long distance. I tried a 300mm 'L' glass once, but sold it within a fortnight. The thing was a monster, and at f5.6 widest aperture, it was just not fast enough coupled with the focal length and weight of the thing. I simply could not achieve sharp enough pictures. Rather than bring faraway subjects close to me, I prefer bringing tiny things into my visual plane, so that I can study each tiny little detail. I therefore have a natural affinity for Macro photography and Photomicrography. I use an IMXZ Microscope with a zoom factor from x10 - x40 for real tiny subjects, or when I want to reveal what the eye cannot normally see, but with an aperture of f0, I am inevitably dissatisfied with the lack of sharpness throughout. Quite often I will just use the 'sweet spot' area and crop down afterward. I also have a bellows for an FD lens but I rarely achieve a satisfactory result owing to the lack of mobility and adaptability. I would really enjoy the more mobile MP-E65 but unfortunately it's not within the budget at the present time.

I missed the medium format experience altogether, but what a great discovery it was to find out I could afford a large format system! I ended up with a 4x5 Toyo View camera with a monorail extension, dark cloth, lots of double dark slides, an Schneider Symmar-S 150mm f5.6, and two boxes of Fuji Provia RDP II, all for £400!!! The film and processing costs have been adding up since, and the results still look plainly 'LF novice'. "

The only other shooting equipment I have are two strobes, a 1000 watt halogen lamp, a Canon Speedlite 550EX, softbox, reflectors and stands. These are not used very often, but are on standby for the odd studio request. Generally though I prefer natural light and natural settings.

Post shoot editing of course requires a digital darkroom. I use a fast processor Dell PC with tons of RAM, a Mac Powerbook G4, an Olympus Camedia Dye Sub printer, a Canon S9000 inkjet, and an Epson Perfection 4870 scanner for my 4x5 film. Let's also not forget that king of king piece of software - Adobe Photoshop. I just upgraded to CS and I'm not disappointed. ooops... I forgot to mention my trusty set of three halogen torches for light painting.... nothing special or expensive, just normal household torches of various strength." Says Ms Allen.

Geraldine has always been intrigued by the magical, unique and otherworldly qualities found in the work of photographers like Robert Damachy, Julia Margaret Cameron, Diane Arbus, and Sarah Moon. Specific influences on her photographic development with her light painting have been Berthold Steinhilber, Jorg Grundler, and Diana Thorneycroft.

If you visit her site you will see some of the wonderful macro photography Geraldine captures. Many of those are floral based subject matter. She says "for floral macros, I like to use extremely limited depth of field. This means I inevitably make use of a longer focal length [100mm], the closest shooting distance possible and a wide aperture [often f2]. This usually means the shutter speed is quite fast because there is plenty of light entering the lens. But, that does not mean I do not need a tripod in a natural setting. Often I like to have only the tiniest element in focus, which means handheld shooting is a definite no-no, as the plane of focus can slip at the slightest movement [in the camera or subject]. If the element to be focused on is flat, then generally it is easier to achieve sharpness where I want it. However if it is curved or rounded I try to make sure the camera is positioned at such an angle as to allow the element to be parallel with the back of the camera so that as much of the element as possible is on the same plane as the sensor or film back."

You can see the portfolio of her fine art photography at her web site: www.photo-art-gallery.com

Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

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Lowepro SlingShot 202 AW Review

!±8± Lowepro SlingShot 202 AW Review

If I could bring my camera and my lenses around by myself I would. I am one of those people who really do not like, carrying bags for every occasion, especially photography. Having said all of the above, it would be impractical to carry around all my equipment in my hands.

So when I went looking for my camera bag I chose one that all my kits photography daily life, without that it would be difficult to maintain for me to carry on the movement. Photography bag I chose wasLowepro SlingShot 202 AW This, I felt this case had everything we needed.

I usually like to read product reviews before taking the plunge and buy, but on this occasion I really need a camera bag, so I'm going to buy one of them was blind. But by this report, read to know exactly what you are getting before you spend any of your hard earned money.

To look at the size of the bag I was a little 'fear that my current setup of the Canon 50D and CanonLuxury 24-70 lens does not fit, but I took a chance and it paid off. I could fit more on my Canon 50mm 1.4 lens combo cabinet with my 430EX II Flash. There was also room for my memory cards and other items that I'd like a pad and a pen to wear.

I bought a bottle of water, which is an option for this bag, but honestly, if I wanted to buy again I would not be disturbed. The only place logic can be grown, is where the tripod canand how do I attach a big fan of tripods DSLR I've never used a bottle of water.

The tripod / monopod holder on the side of the pocket and in my opinion is an excellent feature of this bag, as I tend my tripod and dirty that she's back in my camera bag with my expensive equipment is not an option for me.

The best part about this bag for me and one of the main reasons I bought it I have access to my camera right away, instead of being set up withfrom his pocket, get access to my kit. Being able to throw this bag over my shoulder, my camera out, taking the shots I needed and then store the camera when the shot is a great feature, especially in the kind of work I do. Photojournalists and "paparazzi" love this camera bag.

Another very important feature especially if you have expensive camera equipment is the protective seal of time that this bag has. If you're stuck in some bad weather as Ioften you can simply pull the cover from the bag to protect your equipment. I found this feature to work well in the snow and rain.

Lowepro SlingShot 202 AW problems

The Lowepro Slingshot 202 AW has some room for improvement. The first problem I have with this bag is the location of the camera. I noticed that on both sides of the camera gives you a lot of wasted space that could be used for the storage of more equipment. This does not reallyEffects on users, but how easy this bag can store 3 lenses and camera bodies.

The second problem is, in my opinion, with that bandwidth. Without this one-off strap of the bag would not be able to swing around, but if you're going to do with this bag for travel photography and have a lot of heavy equipment, then this band is digging into you after a few hours. This is a small problem, though most people who are trying to buy this bag, a small amount of leadKit, which will not weigh much.

The Lowepro Slingshot 202 AW is an excellent all-around digital SLR camera bag for those who carry a few lenses, a camera and some other accessories.

Lowepro SlingShot 202 AW Review

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Canon 430EX Speedlite Flash for Canon EOS SLR Cameras - Older Version

!±8±Canon 430EX Speedlite Flash for Canon EOS SLR Cameras - Older Version

Brand : Canon
Rate :
Price : $239.99
Post Date : Sep 28, 2011 08:45:07
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CANON SPEEDLITE 430EX FLASH

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Travel with an SLR - Rules for the road

!±8± Travel with an SLR - Rules for the road

So, setting the trip of a lifetime. You know you're going to take too many pictures, but you're bringing your heavy, bulky SLR camera for the journey concerned. You might think that a lot of weight from a save point and a long lighter-style shoot camera, but you are worried about the quality of the images. A dilemma, to be sure.

We try to address these issues at a time. First of all, you should bring the camera, or just go with a car lighter? Now,If you are serious about photography, art and own an SLR, you might not be too happy with the point and shoot. Especially with today's digital SLR cameras, the image quality thanks to the larger sensor makes the image produced by leaps and bounds beyond what can a digital point and shoot, especially in situations where high ISO noise small sensor destroy the image. Also of concern is the depth of field emission. Reflex can provide a depth of more aesthetically pleasing image surface, where, howsmall sensor cameras is also a strong depth of field with the goal of having wide open. For people like me, this is the deal breaker.

Other advantages of the SLR is the ability to swap lenses and accessories to be added, but it's true: This article is about travel photography, and you're not going to want to drag this stuff anyway. In fact, I advise you to put on a good wide zoom lens, and be happy. The quality of such lenses have improvedconsiderably over the years, so you get a lot in a small package. In particular, models for the stabilized image to see how you get more flexibility with handheld lead, because they certainly have a tripod.

So if you're packing light, you should have the camera, zoom lens, a filter or two, the camera battery charger and a memory card reader. That's a lot of stuff to carry around already, so resist the temptation to bring something different.You'll thank me later.

Concern for travelers is theft. Basically, this can be treated with common sense measures. Your camera is always the person, or are firmly locked. If you invest in good luggage lock system, you have a place secure enough to keep the camera. Take care and common sense easy. Put the camera from the site may make sense in some areas, because nothing screams "rich foreigners" as a new DSLR.

I hope it was alluseful for you to understand how you can travel with a SLR camera. Many will be happy to do without a lot of this trouble and carry only a point and shoot cheap, but really for the serious photographer, camera that can have an amazing thing. Just play smart things, and do not overpack, and you should soon have some amazing images for your travel show.

Travel with an SLR - Rules for the road

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Canon Speedlite 430EX II Flash for Canon Digital SLR Flash Diffuser + + package

!±8± Canon Speedlite 430EX II Flash for Canon Digital SLR Flash Diffuser + + package

www.amazon.com Canon Speedlite 430EX II Flash for Canon Digital SLR Flash Diffuser + + Pro Kit package includes:? 1) Canon 2805B002 - Canon Speedlite 430EX II Flash Light - E-TTL II, E-TTL, TTL - 79.7ft, Range 39.4 ft? 2) Vivitar - Digital SLR Flash Bracket? 3) Zeikos - Off-Camera AF TTL (Canon)? 4) Zeikos - Zeikos DCQ3950 ZE-one hours LCD Rapid AA / AAA Battery Charger with 4 AA 2900mAh batteries included (black)? 5) Zeikos - Zeikos Lens Kit 3pc cleaning? 6) Zeikos - ZE-BLRDust blower

Canon Speedlite 430EX II Flash for Canon Digital SLR Flash Diffuser + + package

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Canon Speedlite 270EX Flash for Canon Digital SLR Cameras

!±8±Canon Speedlite 270EX Flash for Canon Digital SLR Cameras

Brand : Canon
Rate :
Price : $139.99
Post Date : Sep 16, 2011 05:45:06
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Canon Speedlite 270EX II Flash for Canon SLR Cameras

!±8± Canon Speedlite 270EX II Flash for Canon SLR Cameras

Brand : Canon | Rate : | Price : $165.00
Post Date : Sep 12, 2011 16:00:42 | Usually ships in 24 hours

Worthy successor to the venerable Canon 270EX Speedlite, the new, ultra-lightweight Canon 270EX II Speedlite is a compact, high-performance flash unit designed for the evolving EOS enthusiast. Developed for fun and easy flash shooting, when used with select Canon EOS DSLR cameras that have a master function, the Speedlite 270EX II can be used as a versatile wireless slave flash. This Speedlite can also be used with other compact digital camera models equipped with a dedicated flash shoe mount. User-friendly in both function and design, the 270EX II Speedlite flash's Tele/Wide function easily and elegantly allows adjustment of illumination angle and guide number to match shooting conditions. On your photographic journey, the Canon 270EX II Speedlite is primed to be there at every step.

• Ultra-compact, ultra-lightweight, high-performance flash unit.
• Vertical bounce capability up to 90 degrees provides a wide range of picture-taking options.
• Flash coverage can be switched between Normal (28mm full-frame equivalent, max. Guide No. 72 ft./22m at ISO 100)
• Slave function allows the flash to be triggered wirelessly (when used with an EOS DSLR with a master function).
• Flash release function triggers the camera wirelessly from the flash on a 2-second delay,
• Allowing the flash to be repositioned to illuminate the subject.
• And Tele (50mm full-frame equivalent, max. Guide No. 89 ft./27m at ISO 100).

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Blue Crane Digital Canon 50D and 5D Mark II Volume 2 instructional DVD is Volume 1 preview clips

!±8± Blue Crane Digital Canon 50D and 5D Mark II Volume 2 instructional DVD is Volume 1 preview clips

Canon 50D Check it out here: www.avidmaxoutfitters.com 5D Mark II: Blue Crane Digital www.avidmaxoutfitters.com gives you the power to unleash the potential of cameras. Each DVD offers a solid understanding of cameras offers, and gives you the tools needed to be to capture the best images under all conditions. All topics are organized into chapters, so that you can move at your own pace and return later to individual subjects. These are the DVD NTSC All Regions (the discs are not encrypted andbe played throughout the world, however, must be played in NTSC-compatible unit), unless otherwise indicated. Topics and dates: Canon 50D Vol 1: Auto Mode - Creative self - time-value-mode - aperture / depth of field - Depth of field preview - focus options - Metering - White Balance / Color Temperature - Exposure - - playback and display - Live View Event Essentials - Custom functions intro - Programmable keys - Key Info - Photos - Composition - Self-timerStyles - UPC: 186102000275 - Model Number: BC121 - Approximate Running Time: 79 minutes Canon 5D Mark II / Canon 50D Vol 2: Advanced Custom Functions - Canon Speedlite & Lightning - Color Management - Creating own Picture Style settings - Color Management - Custom Menus - My ritual of Photography - UPC: 186102000282 - Model Number: BC122 - Approximate Running Time: 96 minutes Canon Speedlite 580EX II / 430 EX II Flash Exposure Compensation - The flash as fill or key light - FP or highSpeed ​​...

Blue Crane Digital Canon 50D and 5D Mark II Volume 2 instructional DVD is Volume 1 preview clips

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Photography with the Canon 430EX II Flash

!±8± Photography with the Canon 430EX II Flash

The Canon 430EX II is excellent for a flash Canon photography equipment to buy.

With built-in flash of the camera is not always a good option, considering the location of the camera's flash. The flash is usually small and very close to the axis, the results are very hard and often red-eye effect, is to fold result.

This means that an external flash is required. This brings us to the Canon line of sight. You can also flashes of third parties for use withCanon, but this is not recommended. The range of Canon flash units to cover everyone from beginners to professionals. 430EX II falls in the middle of the range and level of amateur advance, amateur and professional photographers focused.

The Canon 430EX II has a host of new features over its predecessor. Rapid recycling (20%) achieved an improved locking and unlocking mechanism, with a new metal foot design with redesigned connection pins.

The Canon 430EX II offers AF Assist Beamcoverage of up to 9 AF points can, in very dark situations of conflict or low concentration.

The 430EX has nine custom functions. The settings you need to slave the zoom button has been moved from the old switch.

The flash head can be tilted and rotated forward. This is great for fill-flash and bounced flash.

The 430EX is equipped with E-TTL II (Through The Lens electronic version II). This uses a pre-flash to measure the distance to the subject for the right amount of lightand adjusting the exposure. This measure also the color and set the correct white balance.

In manual mode, the 430 are the steps in increments of 1 / 3 stops to increase control. The settings of 430 can be used by the Canon EOS camera's menu.

In a system master and slave, the 430EX II can only act as a slave flash.

Photography with the Canon 430EX II Flash

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Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras

!±8± Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras

Brand : Canon | Rate : | Price : $449.00
Post Date : Sep 06, 2011 19:21:04 | Usually ships in 24 hours

Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras

D1) CANON SPEEDLIGHT 580EX II FLASH

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